College of Arts and Sciences

by students in PSYC 362

by William Carpenter

by Megan Marzzacco

by Thanh-Bin Duong

by Lindsey Minges, Nigel Brown, Samantha Melvin, Matthew Bova, Nicholas Buccella

by Liliana Ramírez, Cadiann Treviño Pinto, Rogelio Santiago

by Catherine Crowell

by Maddie Shiflett

by Bryce Runey

by Nichole Boigegrain

by Anushah Hassan

by Rebecca Callaway, Mary Dye, Adam Schoene

by Thanh-Bin Duong

by Nicholas Maksimowicz and Patrick George

by Kathryn Arntsen, Kayln Clinkenbeard, Madeleine McGann, & Rebekah Stone

by Alyssa Brown

by Claire Parkey

by Ariane Akhand

by Téa Barndt

by H. Sumner Bridenbaugh

Live Zoom Production aired on April 16, 2020 Faculty mentor: Professor Helen Housley Much Ado About Nothing by William Shakespeare Beatrice and Benedick are meant for each other. Trouble is, they don’t see it that way. In one of Shakespeare’s wittiest and most romantic of comedies, mistaken identities, misdirected insults, devious fakery, and bumbling antics …

Continue reading “UMW Theatre Remote Production of William Shakespeare’s Much Ado About Nothing”

by Christopher Good

by Erin Whitesell, Miranda Batte-Futrell, Christine Cao, and Nichole Boigegrain

by Emily Matuczinski and Ashley Parkhurst

by Claire Ross

by Daniel Pan

by Abigail Farley

by Siddhartha Rao

by the students of HISP 469: Laboratory in Preservation Planning

by Lydia Eisenberg

by Delaney Resweber

by Mary Hoffman

by Spencer Saunders

by Jade Turner, Peyton Dunow, Samara Wong, Julie Boynton

by Daniel Milliken

by Matthew Nelson

How does one call attention to the gender dimensions of war violence or postwar inequalities without reproducing images of passive female victimhood and support for patriarchal notions of the protection of women? In the case of the Bosnian War, because of the large scale of sexual violence and the attention focused on this violence, Bosnian women have been stereotyped and relegated to the role of rape victim. Although women suffered from grave violations of human rights, this stereotypical portrayal is not adequate, and neglects the active role played in the perpetration of violence by some women. It also neglects women’s roles as activists, peace builders, sole supporters of their family, or political elites in a war effort.

This project seeks to identify how existing scholarly literature and American newspaper media articles about the Bosnian War has contributed to the victimization of women. Most of the literature on women and warfare, or women and gender, analyzes the role of women from a victim-centred perspective. Although research shows that the majority of perpetrators are men, women too have been involved in the perpetration of war crimes. Hence, this project utilizes scholarly material, court cases, interviews with Bosnian women, and representations from the media to make the case that the securitization of sexual violence has unintentionally resulted in its fetishization and enhanced the invisibility of women in post-conflict discussions.

by Meryl Menezes, Anna Higginbotham, Jessica Raiford, and Aidan McClanahan

by Lillian Salamone, Laurence King, Kathleen Keith

by Grace Corkran

by 2020 Studio Art Seniors

by Beau De Koninck, Tom Meldrum

by Devin Carson

by Sarai David

by Lauren Closs

by Alexis Anderson, Gillian Brown, Sarai David, Meredith Glasco, Tanner Herndon, Emily Hilbert, Tessa Honeycutt, Jonni Hower, Brittany Johnson, Jordan Petty, Alana White

by Amy Creel

by Kaitlyn McClung and Emily Brooks

by Krista Beucler

by Jade Turner, Peyton Dunow, Samara Wong, Julie Boynton

by Rachel McVicker

by Javon Jones

by the students of PSCI 370 Spring 2020

by Grace Smith

by Laura O’Dea, Meredith LeBel, Nicole Haynes

by Zachary Milnes

by Katheryn Gonzalez

by Thomas Bustamante

by Cristina Montemorano

by Rick Altenburg

by Elisabeth DellaRova

by Brandon Williams

by K. Corbett

by Rachel Summers

by Tara Scroggins

by Cheyenne Palmo